This is so that I can photograph the nadir (the area under the tripod) knowing that I am photographing exactly the same spot and I can use the coloured spots as matching points in processing so that my nadir is aligned correctly.įor the horizontal shots, I bracket the exposures so that I can be sure of getting decent dynamic range in the finished image. I put small coloured markers around the area the tripod is standing over with a coin dead centre under the head. One less thing to worry about in processing. If you’re shooting four or six around, have the camera pointing slightly up so that your zenith is included in the shot. Watch out for click board floors as unless they are laid on a flat surface have sufficient yield in them for the weight of the photographer to cause a millimetre or so difference. Set it absolutely level so that when you rotate the camera around the no-parallax point, the shot remains on the same level.
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It’s not just about the best software for 360 photography, to avoid problems in processing, use a decent sturdy tripod. I also use the EZ Leveller 2 in preference to the Manfrotto 338 for exactly the same reason, the Nodal Ninja kit is lighter and works just as well. I have used a few different panoramic heads, my first was a Manfrotto 303 SPH head which I liked a lot, but it’s built like a tank and weighs twice as much so I tried Nodal Ninja heads instead, eventually settling on the Nodal Ninja 6 with the Nadir Adapter. I set the aperture to f8 as the lens seems sharpest at this setting. For more detail still, I could go for 6 shots around at 15mm.
of the shot by setting it to 12mm knowing that the overlap in four photographs, north, south, east and west, will be sufficient. So at 8mm, the lens offers a perfect circle, but I can squeeze more detail out. The trick with a full-frame camera is to maximise the number of pixels used for the photograph. The kit I use consists of a Canon 5D Mk III with a Canon EOS 8-15mm Fisheye lens. It’s a lot more work, but I favour the megapixel approach. The one-shot cameras are impressive, more so now than when I bought the Insta360, but the megapixel panorama approach gives more detail and more dynamic range. This is software (and hardware) I’ve been using for years!įirst of all, I’m going to distinguish between the photographs achievable with cameras like the Insta360 One X and the Ricoh Theta Z1 versus the megapixel panorama approach that I normally use. Please note, I am not affiliated with any of these companies. They also measure the effectiveness of advertising campaigns.I’m going to talk about the best software for 360 photography, share my own workflow and show how I created the Little Planet photographs in my Andalucia in 360° series. Targeting cookies collect information about your browsing habits to deliver adverts which are more relevant to you and your interests. They also remember any customisations you make to the website to give you enhanced, more personal features.
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